Last updated:
Real post-hardcore strips away melodic accessibility in favor of angular guitars, dissonant rhythms, and deliberately confrontational song structures that challenge punk's conventional templates. Emerging from underground scenes in the 1990s, it prioritized artistic experimentation and raw intensity over commercial appeal, creating abrasive yet intellectually engaged music. The sound emphasizes jagged dynamics, unconventional time signatures, and a visceral energy that feels deliberately unpolished and authentically DIY.
| Place | Cover | Date | Artist | Album | Tags | Other places |
|---|---|---|---|---|---|---|
| 60 |
|
1983 | Big Black | Bulldozer |
|
|
| 21 |
|
1989 | Steel Pole Bath Tub | Butterfly Love |
|
|
| 7 |
|
1990 | Steel Pole Bath Tub | Lurch |
|
|
| 10 |
|
1990 | Helmet | Strap It On |
|
|
| 78 |
|
1990 | Rain | La Vache Qui Rit |
|
|
| 2 |
|
1990-01 | Fugazi | Repeater + 3 Songs |
|
|
| 73 |
|
1992 | Slug | Swingers |
|
|
| 98 | 1992-07-09 | Polvo | Cor-Crane Secret |
|
||
| 8 |
|
1993 | Iceburn | Hephaestus |
|
|
| 15 | 1993 | Don Caballero | And And And And And And And And And And |
|
||
| 68 |
|
1993 | Unwound | Fake Train |
|
|
| 3 |
|
1993-06-30 | Fugazi | In On the Kill Taker |
|
|
| 94 | 1993-10-10 | Shellac | Uranus |
|
||
| 11 |
|
1994 | Sparkmarker | Products And Accessories |
|
|
| 30 | 1994 | Godheadsilo | The Scientific Supercake LP |
|
||
| 35 |
|
1994 | Slug | The Out Sound |
|
|
| 49 |
|
1994 | Far | Quick |
|
|
| 79 | 1994-01-18 | Unsane | Total Destruction |
|
||
| 64 |
|
1994-03-21 | Unwound | New Plastic Ideas |
|
|
| 4 | 1994-04-26 | Drive Like Jehu | Yank Crime |
|
||
| 99 |
|
1994-05-26 | Polvo | Celebrate the New Dark Age |
|
|
| 24 |
|
1994-08-29 | The Jesus Lizard | Down |
|
|
| 93 |
|
1994-09-20 | Heatmiser | Cop and Speeder |
|
|
| 6 |
|
1995 | Iceburn | Poetry of Fire |
|
|
| 41 | 1995 | Kittens | Tiger Comet |
|
||
| 56 | 1995 | Shiner | Splay |
|
||
| 81 | 1995 | Polvo | This Eclipse |
|
||
| 12 |
|
1995-02-28 | Quicksand | Manic Compression |
|
|
| 48 | 1995-02-28 | Orange 9mm | Driver Not Included |
|
||
| 84 |
|
1995-04-20 | Fuel | Monuments to Excess |
|
|
| 32 |
|
1995-04 | Unwound | The Future of What |
|
|
| 83 |
|
1995-10-13 | Karp | Suplex |
|
|
| 34 | 1995-10-17 | Chavez | Pentagram Ring |
|
||
| 62 | 1996 | Rye Coalition | Hee Saw Dhuh Kaet |
|
||
| 5 |
|
1996-04-23 | Slug | The 3 Man Themes |
|
|
| 52 |
|
1996-04 | Unwound | Repetition |
|
|
| 13 |
|
1996-05-07 | Lowercase | All Destructive Urges... Seem So Perfect |
|
|
| 86 |
|
1996-05-07 | The Van Pelt | Stealing From Our Favorite Thieves |
|
|
| 58 | 1996-06-03 | Bluetip | Dischord No. 101 |
|
||
| 33 |
|
1996-07-02 | Jawbox | Jawbox |
|
|
| 25 |
|
1997 | Kittens | Bazooka And The Hustler |
|
|
| 28 |
|
1997 | Craw | Map, Monitor, Surge |
|
|
| 74 |
|
1997-01-24 | Handsome | Handsome |
|
|
| 31 |
|
1997-04-22 | Poster Children | RTFM |
|
|
| 65 |
|
1997-04-28 | Breach | It's Me God |
|
|
| 95 | 1997-07-01 | Les Savy Fav | 3/5 |
|
||
| 50 |
|
1997-07 | Kerosene 454 | Race |
|
|
| 18 |
|
1998 | Frodus | Conglomerate International |
|
|
| 80 |
|
1998-01-13 | Unwound | Challenge for a Civilized Society |
|
|
| 22 | 1998-04-14 | Fugazi | End Hits |
|
||
| 39 |
|
1998-09-08 | The Most Secret Method | Get Lovely |
|
|
| 1 |
|
1998-11-03 | Bluetip | Join Us |
|
|
| 72 | 1998-11-03 | Jawbox | My Scrapbook Of Fatal Accidents |
|
||
| 9 |
|
1999 | The Trans Megetti | Fading Left To Completely On |
|
|
| 82 |
|
1999-01-12 | Don Caballero | Singles Breaking Up |
|
|
| 19 | 1999-01-12 | Don Caballero | Singles Breaking Up, Volume 1 |
|
|
|
| 63 | 1999-09-14 | Unwound | A Single History 1991-1997 |
|
||
| 29 |
|
2000 | Les Savy Fav | Rome (Written Upside Down) [EP] |
|
|
| 77 | 2000-06-19 | Cursive | Domestica |
|
||
| 70 |
|
2000-09-26 | Bluetip | Polymer |
|
|
| 40 |
|
2000-10-03 | Shotmaker | The Complete Discography 1993-1996 |
|
|
| 85 |
|
2000-10-10 | Shiner | Starless |
|
|
| 27 |
|
2001 | Haymarket Riot | Bloodshot Eyes |
|
|
| 51 | 2001 | Bear vs. Shark | 1653 |
|
||
| 75 |
|
2001 | Kolya | Kolya |
|
|
| 45 | 2001-04-17 | Unwound | Leaves Turn Inside You |
|
||
| 92 | 2001-10-23 | Shiner | The Egg |
|
||
| 38 | 2001-11-13 | Bluetip | Post Mortem Anthem |
|
||
| 14 |
|
2002 | Tequilajazzz | Абориген (макси-сингл) |
|
|
| 16 |
|
2002 | The Most Secret Method | Our Success |
|
|
| 37 | 2002 | Steel Pole Bath Tub | Unlistenable |
|
||
| 76 | 2002-02-25 | mclusky | mclusky Do Dallas |
|
||
| 61 |
|
2002-07-09 | Orchid | Gatefold |
|
|
| 59 |
|
2002-09-16 | Maximillian Colby | Discography |
|
|
| 96 |
|
2003-05-15 | Black Eyes | Black Eyes |
|
|
| 71 |
|
2003-08-12 | These Arms Are Snakes | This Is Meant To Hurt You |
|
|
| 44 | 2003-09-26 | Double Dagger | Double Dagger |
|
||
| 54 |
|
2004-03-30 | Kid Kilowatt | Guitar Method |
|
|
| 89 |
|
2005 | Antioch Arrow | Gems of Masochism |
|
|
| 53 |
|
2005 | Hoover | Lurid Traversal of Route 7 |
|
|
| 100 |
|
2005-06-14 | Bear vs. Shark | Terrorhawk |
|
|
| 90 |
|
2005-07-26 | The Jonbenét | The Plot Thickens |
|
|
| 47 |
|
2006 | Indian Summer | Hidden Arithmetic |
|
|
| 55 | 2006 | Haram | Haram |
|
||
| 46 |
|
2006-08-08 | The Jonbenét | Ugly/Heartless |
|
|
| 67 |
|
2007-05-26 | Double Dagger | Ragged Rubble |
|
|
| 88 |
|
2009-05-05 | Double Dagger | More |
|
|
| 66 |
|
2010-03-23 | Double Dagger | Masks |
|
|
| 17 |
|
2011 | Broadcast sea | Lost Generation |
|
|
| 42 | 2011-01-15 | White Suns | Waking In The Reservoir |
|
||
| 91 | 2011-04-12 | Young Widows | In and Out of Youth and Lightness |
|
||
| 69 | 2011-05-09 | Dope Body | Nupping |
|
||
| 43 |
|
2011-07-06 | Ladder Devils | Forget English |
|
|
| 20 |
|
2011-11-01 | Justin Bieber | Under the Mistletoe |
|
|
| 26 |
|
2012-04-26 | Ladder Devils | Nowhere Plans |
|
|
| 87 | 2012-05-22 | Dope Body | Natural History |
|
||
| 57 |
|
2013-04-20 | Double Dagger | 333 |
|
|
| 23 |
|
2014 | Don Caballero | Lookit Them Elly May Wrists Go: Live Early Caballero |
|
|
| 36 |
|
2014 | Don Caballero | Five Pairs of Crazy Pants. Wear 'em: Early Caballero |
|
|
| 97 |
|
2016-09-09 | Bear vs. Shark | Right Now, You're in the Best of Hands |
|
|